Grafonola

KAMASI WASHINGTON - Heaven & Earth ( Young Turks ) There's a growing feeling both inside and outside jazz that Kamasi Washington could well turn out to be one of the style's all-time greats. He's certainly making all the right moves, delivering thought-provoking concept albums of eyebrow-raising length that simply refuse to settle on one sound, rhythm, style or sub-genre. Heaven & Earth, his first album for almost three years, continues this trend, comprising angry instrumental answers to America's growing issues with class division and racism, Rotary Connection style workouts, Sun Ra-esque spiritual workouts, funk and soul-influenced burners, spiraling choral and orchestral affairs, and electric fusions of rubbery synth-funk and mind-altering jazz-blues. Typically, the results are never less than sublime, with Washington's virtuoso saxophone playing taking centre stage throughout. 

THE SCORPIOS - Mashena (Afro7) Hot in the slipstream of last year's self-titled debut album comes two brand new adventures from the London-based Sudan-exiled troupe. Both cuts recorded in Abbey Road Studios, both led and characterised by singer Regia Ishag's breath taking vocals; "Mashena" packs a vibrant punch with triumphant horns and insistent, urgent vocal repetition while "Samha" is a much deeper blues piece where Regia's Sudanese vocals take on a rhythmic pattern of their own over a dreamy, star-gazing setting.

VARIOUS - Ethiopiques Box 7" Vol 2 ( Record Store Day 2018) (Heavenly Sweetness) Following the success of the first volume which sold out in 2017 , Heavenly Sweetness decided with Francis Falceto to give a follow up - in the form of this box set of Ethiopian singles. It's a tribute of sorts to the music producer Ali Tango, who produced most of these EPs across 6 X 7". Falceto plunged into his impressive collection of records and there are great names of the golden age of Ethiopian music such as Mahmoud Ahmed, Alemayehu Eshete, Ali Mohamed Birra, alongside less known artists to be rediscovered such as Muluquen Melesse, Alayew Mesfin and Seyoum Gebreyes. Including original artwork and labels, plus a poster and six stickers of all the covers. Limited edition, 2000 copies. ETHIOPIQUES BOX 7" VOLUME 2 by Various Artists

SHINA WILLIAMS & HIS AFRICAN PERCUSSIONISTS - African Dances (reissue) (Mr. Bongo) Shina Williams' first album from 1979, African Dances, marked the moment where the Nigerian afrobeat artist would team up with 'His African Percussionists', to form one of the most sought-after sounds of the next decade. Taking inspiration from the Master Of Ceremonies, Fela Kuti, this album is just as loose and evocative as the legend's, and perhaps even a little more oriented towards the disco end of the spectrum. "Cunny Jam Wayo" is a classic afrobeat march, with its rolling drums popping off left, right and centre, while "Agboju Logun" offers a softer funk ride, and "Gboro Mi Ro" lifts the soul at the final moments with a truly memorable string of brass instruments and vocals. Cop this, not the L300+ original..! Highly Recommended! Agb'oju L'ogun by Shina Williams & His African Percussionists

KIEFER - Happysad (Stones Throw) Kiefer is a constant in Mndsgn’s live trio, has shared the stage with Moses Sumney and Terrace Martin, and has lent production talents to the likes of Kaytranada and Anderson .Paak. He began playing piano as a child and producing beats at around age twelve, moving from San Diego to L.A. to study under renowned jazz guitarist Kenny Burrell at UCLA’s Jazz Studies program. There, he started thinking about the synergy between the jazz piano he studied and the beats he created outside of school. While his peers were performing over live instrumentation, Kiefer produced electronic beats free from sampled melodies or drum breaks. He released his debut album Kickinit Alone on Leaving Records last year, earning a Best Jazz Album nomination from A2IM. Inspirations for Happysad and Kiefer’s music in general include jazz titans Herbie Hancock and Bill Evans, as well as label mates Karriem Riggins and Knxwledge. “I've loved the sense of responsibility that