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Showing posts with the label Afro

Nakara Percussions - Nakara Percussions (Komos Jazz)

Nakara Percussions by Nakara Percussions Nakara Percussions - Nakara Percussions ( Komos Jazz) “Hypnotic percussion tracks and organic soundscapes drawing on African, Asian, Indian & South American traditions, recorded deep in the French countryside in 1984.”  Founded by long-time friends Gerard Kurdjian and Stéphane Olivier alongside compatriot Christian Berthier in 1983, Nakara Percussions was a trio from the south of France, fascinated with percussion instruments, rhythms and textures from across the world.  Steeped in Jazz and ethnographic recordings, the trio designed and built their own instruments and played across the South of France throughout the 80s, recording a single album in the tiny village of Alliens in 1984.  Self-produced and mainly sold at gigs, the record reflects the inquisitive, experimental approach of the group and has become a cult album among DJs and music lovers for its blend of complex rhythms and organic soundscapes, taking in everything fr

GUELEWAR - Touki Ba Banjul: Acid Trip From Banjul To Dakar

GUELEWAR - Touki Ba Banjul: Acid Trip From Banjul To Dakar ( Kindred Spirits Holland ) Comentários: ouki Ba Banjul is a compilation of the Gambian psych sensation Guelewar who played a major part in the development of the Afro Manding sound. From 1979-1982 the band released four albums, featuring some of Gambia's best funk tunes. This official first time ever reissue features the highlights of their career. Before Guelewar, Laaye N’Gorn, the lead singer of the band, was already one of Gambia’s most celebrated artists. He was the centre figure in The Supreme Eagles, with whom he played as the main act in one of Gambia’s succesful clubs ‘The Bambo No.1 Night Club’. In return for the succes the clubmanager offered them instruments, after which they renamed their band to the Super Alligators. Due to the mixture of western influences such as soul and funk with traditional and regional rhythms like boogaraboo and sawrouba, The Super Alligators had a unique sound. The result of this ble

LARRY ACHIAMPONG - Meh Mogya (Sample Of Me)

LARRY ACHIAMPONG - Meh Mogya (Sample Of Me) (Look Mama) Comentários: This is special. The first side itches identity, family and culture via a raw, Madlibbed, fucked-up re-jigging of classic, scratchy Ghanaian highlife, lit up by sampled fighting talk from the great Kwame Nkrumah. The flip drops the same B-Boy science along Edgware Road in West London — the highlife gone, the hiphop turning spooked Bass, incorporating ambient recording and the tough poetry and pithy interjections of a bunch of Fresh Start students, and passers-by. Silk-screened sleeves; two hundred copies in all. Warmly recommended. via phonica. [ Buy Here ] MEH MOGYA (SAMPLE OF ME) by Larry Achiampong

M'BOOM - Re Percussion (Think! Japan)

M'BOOM - Re Percussion (Think Japan) Comentários: A highly percussive little album – and the first-ever appearance of the M'Boom ensemble on record! You might know the group from their later fame under the guidance of Max Roach, but here the combo is a much more equally-assembled cast of players – featuring not just Roach, but percussionists Roy Brooks, Joe Chambers, Omar Clay, Freddie Waits, Richard Pablo Landrum, and Warren Smith! Given that lineup, you've got a group that represents the forefront of jazz and creative percussion work at the start of the 70s – and added to the mix is the ultimate freedom allowed by the Strata East label – which has the group really stretching out in these amazing ways! Things are never too free or outside, and there's always a nicely spiritual core to the record – but there is an incredible shift between percussive rhythms and melody – on instrumentation that includes vibes, tympani, xylophone, marimba, drums, and plenty of percussion

KINGDOM AFROCKS - Live In Afro City

KINGDOM AFROCKS - Live In Afro City ( P-Vine Japan ) Comentários: Having built up a reputation as a good live act, the nine-piece Kingdom Afrocks have chosen to showcase their live show on their debut album, which features six performances from 2007 at three different Tokyo venues. They are perhaps one of the only current Japanese bands playing afrobeat-inspired tunes and they attack the genre with plenty of energy, as anyone who has been to one of their shows can confirm. in tokyo jazz notes [ Para Ouvir/Samples ]