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CUPP CAVE - Garbage Pail Beats (Thin Consolation) Comentários: 32 track CD, ram jam packed with rather splendid sideways beats! Awesome artwork too, all wrapped up in beautiful a screenprinted cardboard sleeve (lots of colour variations)...crazy limited. Def for fans of Samiyam and the more out-there beats shit. Dope stuff... Francis bakes his beats by the dozen. Both his previous efforts on Carte Postale were filed under the Kingfisherg moniker - which leads me to believe that Francis skived spelling in primary. This is his first as Cupp Cave. His Garbage Pail Beats are a rump-shaking, head-nodding, feet-shuffling slap in the face, one for the crate-diggers and glitch-lovers. Think nice crunchy gravel. Think big, red, 8-bit family sedan. Think wearing sunglasses sitting in the passenger seat with the window open. Think sunshine. Thump, thump, clap; Cupp Cave is guaranteed Hennessy-free. in rushhour [ Para Ouvir/Samples ]

MOONSTARR - Instrumentals Forever ( Public Transit Canada ) Comentários: Moonstarr's always got a great way with a groove, and this album is no exception -- a surprising array of shorter numbers, sifted together with a few longer bits as well! The record's not entirely in the "instrumentals" mode promised by the title -- given that some tunes have dropped-in sound samples and spoken bits, and others some more conscious rhymes or vocals -- but overall, the main focus is on the angular, skittish beats and keyboards we've come to love in Moonstarr's music -- moving here between funky styles, jazzy moments, and some boldly electric cuts. Titles include "Who's Bitin Who", "String Theory", "Get Outside", "Broken Bossa", "Clappy", and "Break It Down". © 1996-2008, Dusty Groove America, Inc. [ Para Ouvir/Samples ]

Eat Concrete Radio October 2008 Eat Concrete Radio with Pete Concrete and friendsEat Concrete is a diverse and dynamic music label, firmly rooted in the Dutch electronic music scene. The record label was founded as a means of releasing our own music in a much wider and more open environment than offered by established labels and other music media. In 2005 the name Eat Concrete was first used for giving out mixes and recordings and as the name for a radioshow hosted by Pete Concrete, founder of the label. Early 2006 the first records were released, built up from material by friends and like minded artists, most of them involved in music for many years. Backed up by those interested in and related to us, the Eat Concrete network grew out into a musical platform, independent and open minded. Many recordlabels try to establish themselves by maintaining an image or profile. Eat Concrete aspires to let go of this framed state of mind and preserve an openness in it's approach to releasin

AFTA 1 - Aftathoughts Vol 1 (Circulations Japan) Comentários: California’s Manuel Moran, aka Afta-1 , makes the kind of hip-hop beats that don’t need the slightest bit of vocals to draw listeners in. That’s because Afta-1 is a true production artist, the kind who looks at instrumental hip-hop beats in the same way that a classical musician looks at his symphony. On AFTATHOUGHTS Vol. 1, Afta-1 isn’t interested in simply creating loops for a rapper to chime in on. He wants to tell a story though music alone. AFTATHOUGHTS Vol. 1 is a beautiful amalgamation of blunted hip-hop beats, world music textures, and electronic effects. The tracks vary from bass heavy head nodders like album opener “Quest” and percussion-laden “Honey Dip” to more downtempo psychedelic fare like “Pluto Moon.” Taken as a whole the album works as a complete album, seamlessly swimming through several different vibes. But even the tracks themselves are complete journeys, utilizing different sonic themes and suites to t