Grafonola

ABU OBAIDA HASSAN   - Abu Obaida Hassan & His Tambour: The Shaigiya Sound Of Sudan ( Ostinato Records ) What was always certain is Abu Obaida Hassan’s mercurial talent. His command of a modified tambour, backed by a chorus and two drummers, unleashed swirling melodies alongside complex Nubian rhythms and hypnotic Sudanese call and response. His bands roster constantly changed, but he remained at the helm, playing for sold out shows in cities across the country and capturing the dancefloors and youth of 1970s and ‘80s Sudan. This is a rich, raw example of the human experience with sound from northern Sudan, an ancient part of the world, and the birt hplace of civilization. Music like this isn't mastered overnight.  Abu Obaida comes from the Shaigiya people, whose culture is spread around the ancient city of Merowe, home of traditional Nubian culture, where pyramids older than those in Egypt still stand. They trace their entire lineage to one man, Shaig, who migrated from

The Jazz Workshop - Mezare Israel Yekabtzenu ( Fortuna Records ) A cosmic, phased-out percussion adventure by Shimshon Miel, a lone-wolf hippie from Tel-Aviv who experimented with hallucinogenic psych-folk, and self-released his only album in 1977. Fortuna Records reissues two of the album's killer cuts for the very first time, alongside a late-night club edit by Kalbata. Expect extra trippy percussion soundscapes layered on top of a thumping bass guitar in wild 70's style stereo action. Kalbata's remix is a straight up voodoo ritual, adding much needed 808 subs to the jacked-up original. Recommended!

ANTONIO SANCHEZ - Buli Povo ( Analog Africa Germany ) While Analog Africa always outdo themselves with their inconceivable form and approach to reissuing rare tropical music, this Record Store Day sees them providing us with some seriously special moves from the inimitable islands of Cape Verde. It was their Space Echo compilation, released a few years ago, that put the African archipelago back on the map, and we haven't stopped dancing since. Through a seductive blend of synths, drums, and unforgettable chanting, the style of Fukuna is on our hearts wherever we go. Antonio Sanchez, a leading figure in the golden era of the Cape Verde sound (70s-80s), release Buli Povo to limited international acclaim; the original is a rare find, and so it makes total sense to have it pressed up once again. But, act fast, because these WILL fly! Totally killer stuff. Buli Povo ! (Limited Edition) by António Sanches

Shimshon Miel -  Amsterdam To Nueiba (Fortuna Records) Tel-Aviv's Fortuna Records are doing their nation proud by releasing an impressive volume of native music, both old and new, that is sounding perfectly relevant in this day and age. More than anything, it's just great music that most of us haven't heard yet. For instance, their previous effort - a timely reissue of Tsvia Abarbanel's Eastern Soul - was an invaluable snapshot of Israeli femininity across the ages, while this reincarnation of Shimson Miel's acid-rock output from 2007 is a clear nod to the man's visionary style, more than a decade ago. "Amsterdam Experience" is the stand-out track, a bundle of loose, percussive waves that verge on the electronic while still sounding organic and improvisational. Much the same, "Nueiba Nueiba" is a delightful slice of deep-minded exotica, and Kalbata's edit of "Amsterdam Experience" provides a more wholesome slew of beats to t

Mammane Sani – La Musique Électronique Du Niger «The original 1978 cassette (one of only two known to still exist!) was discovered in a Niger music archive by the dedicated explorer Christopher Kirkley. He connected with the creator of this lush music, Mammane Sanni Abdoulaye, to once again let it shine. Mammane is well known in Niger as his music has provided the undertone to radio and television programs for decades but his sole album has laid dormant since it’s release. Now these gentle rolls and sways of electric organ tones, transcribing traditional Wodaabe and Tuareg melodies as well as original expressions, once again roll into life and we couldn’t be happier.» http://www.discogs.com/Mammane-Sani-La-Musique-Électronique-Du-Niger/release/4505053

Music video by Womack & Womack performing Teardrops. (C) 1988 The Island Def Jam Music Group

GUELEWAR - Touki Ba Banjul: Acid Trip From Banjul To Dakar ( Kindred Spirits Holland ) Comentários: ouki Ba Banjul is a compilation of the Gambian psych sensation Guelewar who played a major part in the development of the Afro Manding sound. From 1979-1982 the band released four albums, featuring some of Gambia's best funk tunes. This official first time ever reissue features the highlights of their career. Before Guelewar, Laaye N’Gorn, the lead singer of the band, was already one of Gambia’s most celebrated artists. He was the centre figure in The Supreme Eagles, with whom he played as the main act in one of Gambia’s succesful clubs ‘The Bambo No.1 Night Club’. In return for the succes the clubmanager offered them instruments, after which they renamed their band to the Super Alligators. Due to the mixture of western influences such as soul and funk with traditional and regional rhythms like boogaraboo and sawrouba, The Super Alligators had a unique sound. The result of this ble