RED - Fingerprints (Dealmaker) Comentários: Red made his initial musical forays as a drummer, before reinventing himself as a scratch musician. He is now an accomplished producer and turntablist in the midst of releasing his debut album Fingerprints, and taking scratch music to a new level with his band, Full Fat. Red grew up in the suburbs of London, and took up drumming aged 11. Two of his biggest musical influences were his younger brothers, who are now both seasoned session musicians. With his siblings, he grew up playing and recording music constantly, learning how to play guitar and work multi-track machines. He wrote and produced his own songs with a four-track, playing every instrument from the drums, guitar, bass, to the keys, developing his song writing and production skills. Such experiences afforded him an invaluable musical upbringing which aided him once he began exploring his interest in scratching. Without a sampler or looping machine, Red began producing layered turntable tunes with a multi-track – a process which forced him to develop a different way of thinking about the turntable. In 2002, Red spent a year in the Bay Area, California, an area renowned as a turntablist hot spot. During this year he was exposed to a new, cutting edge scratch movement spearheaded by Ricci Rucker, which impacted significantly on his artistic direction. Inspired, Red returned to England and began work immediately on what would become his debut album as well as his simultaneous release, the Seen EP. These works received praise from the leading figures in scratch music today, including Ricci Rucker, Mike Boo, D-Styles, and DJ Woody, plus Hip Hop aficionados from Grand Slam/Big Daddy Magazine. Red also formed a band upon his return from California. Full Fat became the live outlet for his turntable ideas as well as a brash style of writing that Red had explored with his Seen EP. Red made the turntable the lead instrument amongst synthesizers, guitars and drums, and the band's cohesive fusion of Rock, Electro, Hip Hop & Funk has meant they have enjoyed massive crossover appeal and are tipped for big things. Red continues to explore the potential of the turntable as an instrument with both electronic and acoustic instruments, and is currently working on numerous production projects, including the follow up to Fingerprints. nota do editor [Para Ouvir/Samples]
VARIOUS - Onda De Amor: Synthesized Brazilian Hits That Never Were 1984-94 (Soundway) Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, Balearic and electro from 1980 & 90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who is at the helm of throwing some of the country's best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian. This collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. This collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell fo...
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