PANTS, James - Future Delight

PANTS, James - Future Delight (Stones Throw US) Comentários: On the A side, some incredible disco from James Pants, very much on a eighties The Clash meets 'cosmic boogie' tip with great drums and synths. The flip is more along spiritual jazz lines. Limited fanclub 45! Well Recommended. in rushhour [Para Ouvir/Samples1] [2]

De repente aparece um nome para isto: Freshbeat. Cruzamento de boogie, disco, rap, pós-punk, kraut, soul e electro, em «Welcome» tudo orquestrado por Pants, James. Toca guitarra, bateria, teclas e canta, nada de extraordinário no mundo moderno mas nem todos o conseguem fazer com credibilidsade old school como «Welcome» transmite em três tempos. A profusão de estilos compactados num único álbum não compromete de todo a fluidez nem a direcção estética da música e reforça a ideia de que no centro do hip hop enquanto cultura musical está uma curiosidade infinita por fragmentos de todo o universo. Ouvido treinado, sentido rítmico, reciclagem sábia e muitos anos a ouvir pop das charts. Peanut Butter Wolf acrescenta que Pants consome psicadelia dos 60s e electrónica dos 70s. Num registo quase nada hip hop, «Welcome» assemelha-se em espírito aos Majesticons de Mike Ladd, «Ka$h» talvez seja o melhor exemplo disso. Vai também buscar Gary Davis (Chocolate Star), lendário produtor disco-funk e mais tarde miami bass. É no entanto a loucura natural de um puto que devora música o que vemos em acção neste álbum, trabalho de amor, entusiasmo e talento natural numa editora em que essas características não faltam. Pants segue as pegadas de Madlib e Peanut Butter Wolf mas também deixa as suas em locais estratégicos onde se nota uma direcção diferente. Rock on!Clips de som deste disco e outros destaques em www.flur.pt

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May 24, 2008

VARIOUS - Onda De Amor: Synthesized Brazilian Hits That Never Were 1984-94 (Soundway)

VARIOUS - Onda De Amor: Synthesized Brazilian Hits That Never Were 1984-94 (Soundway) Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, Balearic and electro from 1980 & 90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who is at the helm of throwing some of the country's best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian. This collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. This collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye

GUELEWAR - Touki Ba Banjul: Acid Trip From Banjul To Dakar

GUELEWAR - Touki Ba Banjul: Acid Trip From Banjul To Dakar ( Kindred Spirits Holland ) Comentários: ouki Ba Banjul is a compilation of the Gambian psych sensation Guelewar who played a major part in the development of the Afro Manding sound. From 1979-1982 the band released four albums, featuring some of Gambia's best funk tunes. This official first time ever reissue features the highlights of their career. Before Guelewar, Laaye N’Gorn, the lead singer of the band, was already one of Gambia’s most celebrated artists. He was the centre figure in The Supreme Eagles, with whom he played as the main act in one of Gambia’s succesful clubs ‘The Bambo No.1 Night Club’. In return for the succes the clubmanager offered them instruments, after which they renamed their band to the Super Alligators. Due to the mixture of western influences such as soul and funk with traditional and regional rhythms like boogaraboo and sawrouba, The Super Alligators had a unique sound. The result of this ble

FLORENCE ADOONI - Mam Pe'ela Su'ure (Philophon)

Florence Adooni - Mam Pe'ela Su'ure ( Philophon ) Florence Adooni shares a long history with Philophon. Being part of Guy One's group she is the voice on his radio hit "Estre". Furthermore, she is a member of Alogte Oho's Sounds of Joy and can be heard on his smasher "Mam Yinne Wa". Last but not least, Jimi Tenor chose her to sing on his instant club classic "Vocalize My Luv". In addition to all these cooperations, Florence has locally released a series of albums under her own name and without a doubt, she can be called the queen of Frafra-Gospel. "Mam Pe'ela Su'ure" is a typical Frafra-Gospel Hymn, sung during Sunday services accompanied only with shakers and hand clapping. Our version here is backed up by Kumasi's finest High Life players, who transform the song into a massive wave of groove. "Naba Aferda" is a homage to the Chief of Zuarungu, Florence's home village, which was also the home village of

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