M'BOOM - Re Percussion (Think Japan) Comentários: A highly percussive little album – and the first-ever appearance of the M'Boom ensemble on record! You might know the group from their later fame under the guidance of Max Roach, but here the combo is a much more equally-assembled cast of players – featuring not just Roach, but percussionists Roy Brooks, Joe Chambers, Omar Clay, Freddie Waits, Richard Pablo Landrum, and Warren Smith! Given that lineup, you've got a group that represents the forefront of jazz and creative percussion work at the start of the 70s – and added to the mix is the ultimate freedom allowed by the Strata East label – which has the group really stretching out in these amazing ways! Things are never too free or outside, and there's always a nicely spiritual core to the record – but there is an incredible shift between percussive rhythms and melody – on instrumentation that includes vibes, tympani, xylophone, marimba, drums, and plenty of percussion – plus even and Indian flute too. And maybe coolest of all, there's even some saw, played by Omar Clay and Roy Brooks – used n a weird way that almost sounds electronic! Titles include "Heaven Sent", "Inner Passion", "Elements Of A Storm/Thunder & Wind", "Jihad Est Mort", and "Morning Noon Midday". via dusty groove. [Para Ouvir/Samples] [Buy Here]
VARIOUS - Onda De Amor: Synthesized Brazilian Hits That Never Were 1984-94 (Soundway) Some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. On Soundway’s latest release - a treasure trove of synth jams, pop, samba boogie, Balearic and electro from 1980 & 90s Brazil - the tracks are picked by Millos Kaiser, one half of the Brazilian duo Selvagem, who is at the helm of throwing some of the country's best dance parties. It’s a rare compilation that offers Brazilian music actually picked by a Brazilian. This collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. This collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye
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